Teri Malo
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Clearing in the Woodsoil on panel, 36" x 54"Clearing in the Woods -
Sanctuary #3, Deep into the Woodsoil on panel, 40" x 36"Sanctuary #3, Deep into the Woods -
Slipping into Octoberoil on panel, 36" x 40"Slipping into October -
Wetland Woods, Springoil on panel, 30" x 50"Wetland Woods, Spring -
Spring Poem from the Pondoil on panel, 30" x 60"Spring Poem from the Pond -
The Early Days of Springoil on panel, 30" x 36"The Early Days of Spring -
Morning Gloriesoil on panel, 30" x 17.5"Morning Glories -
June, Seen from the Shallowsoil on panel, 36" x 48"June, Seen from the Shallows -
Corot's Pond, from the Other Sideoil on panel, 40" x 34"Corot's Pond, from the Other Side -
Late Autumn by the Pondoil on panel, 36" x 36"Late Autumn by the Pond -
Sanctuary #7oil on panel, 36" x 36"Sanctuary #7 -
Down by the Creekoil on panel, 36" x 40"Down by the Creek -
The Woods Return, and I Breathe a Sigh of Reliefoil on panel, 36" x 44"The Woods Return, and I Breathe a Sigh of Relief -
Notes From the Garden, Summer Morningoil on panel, 24" x 36"Notes From the Garden, Summer Morning -
From the Camellia Houseoil on panel, 30" x 40"From the Camellia House -
Notes from the Gardenoil on panel, 20" x 36"Notes from the Garden -
Notes from the Garden - Hydrangeaoil on panel, 20" x 30"Notes from the Garden - Hydrangea -
Quiet Morning at the Quarryoil on panel, 36" x 36"Quiet Morning at the Quarry -
Early Summer at the Quarryoil on panel, 30" x 30"Early Summer at the Quarry -
Empire State #1oil on panel, 30" x 30"Empire State #1 -
First Signs of Springoil on panel, 36" x 48"First Signs of Spring -
Poem for Marchoil on panel, 30" x 30"Poem for March -
Early Springoil on panel, 32" x 32"Early Spring -
Later that Morningoil on panel, 36" x 40"Later that Morning -
Poems from the Berkshiresoil on panel, 36" x 40"Poems from the Berkshires -
Out by the Old Pastureoil on panel, 36" x 40"Out by the Old Pasture -
Remembered Peonyoil on panel, 24" x 32"Remembered Peony -
Oh Happy Dayoil on panel, 24" x 36"Oh Happy Day -
When the Greens Go on Forever, Soldoil on panel, 36" x 40"
When the Greens Go on Forever, Sold -
Sanctuary #8, Soldoil on panel, 36" x 30"
Sanctuary #8, Sold -
Meditation on a Quiet Afternoon, Soldoil on panel, 30" x 30"
Meditation on a Quiet Afternoon, Sold -
Afternoon at the Pond, Soldoil on panel, 42" x 48"
Afternoon at the Pond, Sold -
When the Rain Stopped, Soldoil on panel, 36" x 40"
When the Rain Stopped, Sold -
Early Autumn at the Pond, Soldoil on panel, 36" x 40"
Early Autumn at the Pond, Sold -
Poem in the Woods, Soldoil on panel, 36" x 44"
Poem in the Woods, Sold -
Wetland Woods, June Morning, Soldoil on panel, 30" x 54"
Wetland Woods, June Morning, Sold -
First Lily, Soldoil on panel, 36" x 54"
First Lily, Sold -
June Morning at the Pond, Soldoil on panel, 36" x 42"
June Morning at the Pond, Sold -
Reflections, Soldoil on panel, 36" x 60"
Reflections, Sold -
June Day at the Quarry, Soldoil on panel, 36" x 20"
June Day at the Quarry, Sold -
From a Favorite Trail, Soldoil on panel, 36" x 20"
From a Favorite Trail, Sold -
Foggy Morning at the Pond, Soldoil on panel, 36" x 36"
Foggy Morning at the Pond, Sold -
Early April in the Woods, Soldoil on panel, 36" x 40"
Early April in the Woods, Sold -
Visiting the Greenhouse, Soldoil on panel, 20" x 30"
Visiting the Greenhouse, Sold -
Notes from the Garden, Clematis, Soldoil on panel, 18" x 30"
Notes from the Garden, Clematis, Sold -
Full Blossom, Soldoil on panel, 24" x 30"
Full Blossom, Sold -
Rise and Shine, Soldoil on panel, 24" x 36"
Rise and Shine, Sold
Biography
Teri Malo was born in Whitinsville, Massachusetts. She received a scholarship to pursue a BA in studio art with a minor in English from Emmanuel College in Boston. Upon graduation magna cum laude in 1976, she continued her studies at the University of Massachusetts at Amherst, receiving an MFA in printmaking in 1978.
She currently resides at Fenway Studios, an artists’ cooperative in Boston, MA, where she has served two terms as President on the Board of Directors. In 1998 Ms. Malo successfully worked with Thomas Mairs, Jan Sprawka, and George Haggerty on the application to the National Park Service for Fenway Studios to become a National Historic Landmark.
Ms. Malo’s work focuses on elemental themes from nature – water, air, granite, and forests. She paints primarily in oil on panels, utilizing techniques borrowed from her studies in printmaking and watercolor. Earlier paintings and prints focused on New England’s landscape and seascape, including the coast of Massachusetts from Cape Cod up through Cape Ann and into Maine and the Bay of Fundy. She has also documented the Blackstone Valley National Heritage Corridor with paintings of the Blackstone River and Canal and the historic textile mills along its banks.
Ms. Malo’s works are in a number of collections, including the DeCordova Museum, Philadelphia Museum of Art, Newport Art Museum, the Blackstone Group, Ritz Carlton Hotels, Marriott Hotels, and Baystate Medical Center. Her exhibition entitled Beyond a View: The Landscape Drawings and Poetry of Teri Malo was on view at the Danforth Museum in 1998. Another solo exhibition featuring oil paintings and poems about the Blackstone Valley National Heritage Corridor was hosted by the Museum of Work and Culture in Woonsocket, Rhode Island in 2001. The Bristol Art Museum in Bristol, Rhode Island included thirteen of Ms. Malo’s paintings in their summer 2015 exhibition Island Time.
Education:
BA in studio art from Emmanuel College in Boston, Massachusetts
MFA in printmaking from the University of Massachusetts at Amherst